Saturday, 4 June 2016

SWEET DREAMS by Vanja Karas

SWEET DREAMS  by Vanja Karas

It was in October 2014, five months after my DBS surgery, that I went on the London Independent Photography website and I came across the stunning work of Vanja Karas and what I saw there enticed me onto Vanja's own website. Just reading her CV will stun you - there really isn't much that she hasn't done already. She is a true artist always looking, examining, emoting and drinking in new experiences, thoughts and ideas. She began her creative career in theatre directing and from there moved on to work in a range of other visual arts media including film, video, multimedia, graphic design, print, textile design, site specific installations and conceptual art. All I wanted her to do was photograph me for God's sake!

And photograph me she did bringing all her creative instincts into play and producing an incredible set of images. We met some time after my initial contact, in the beautiful domed cafe at the V & A in London. She was very enthusiastic and we talked of the possibility of me being photographed in the cafe and in other buildings in London but then we lost touch until she discovered that my project was coming to a close and she contacted me again. Fortunately, we managed to fit a shoot in at my home. Vanja came down on the train in the late afternoon as she wanted the low light. I showed her around and she chose a few places as locations. It was a beautifully strange shoot in that we seemed to move from room to room as if we were floating on a raft on a stream of feelings and thoughts which ran slowly and silently through the house. As the day wore on, the light changed and I felt increasingly sleepy - not tired but that wonderful repose when you are with someone with whom you are completely comfortable and you just.........drop into slumber. I closed my eyes and then came to briefly as I heard the click of Vanja's camera as the lens brushed over my nakedness. I apologised for nodding off and I remember Vanja saying softly that it didn't matter and, again, I fell into a swoon of sleep only to be lifted out by another click.

This continued as we moved into another room. Vanja asked me to lie on the bed and close my eyes and I heard the sound of the crunching of the sheets as she rearranged them around me. Then silence. I could hear my breathing and the coarse screams of the seagulls which quietened as, yet again, I trembled on the edge of a doze only to be brought back again by a click or a rustle of sheet against my skin. 

And then it was over. Vanja packed up all her equipment and said a quick hello/goodbye to my wife who by then had returned from a day's work in her studio. I took Vanja back to Brighton Station and we hugged like two old friends and I drove back home and thought to myself how wonderful this project has been. People like Vanja drift into my life and we spend a quite intense few hours with each other as they search for a particular shot. I am completely in their hands but each of us has complete trust in the other as we give ourselves over to the shoot, come what may. Needless to say, I adore these photographs. They are rich with colour and light and shadow. They say so much. They speak of dreams and fantasy and heavenly music. When Vanja realised that there was not much time to fit in shoot with me she wrote saying "It would be so great if we could squeeze something before you wrap up the project even if it is something very spontaneous. We could meet for a coffee and I can just take some snaps". Some snaps?!?  

Sweet dreams till sunbeams find you
Sweet dreams that leave all worries behind you
But in your dreams whatever they be
Dream a little dream of me

                                      - The Mamas and Papas

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