Monday, 6 June 2016

MAXIMUS MURUS by Lindsay Wakelin

MAXIMUS MURUS by Lindsay Wakelin

I sat on the train blinking. I have this problem opening my eyes particularly when I am tired - yes, I know everyone does and it is called feeling sleepy - but this is different; it is a known side effect of Deep Brain Stimulation surgery. Where was I? Oh, yes, sitting on the train to Colchester, blinking. I tried to do the Idiot's Crossword in the Guardian but I couldn't keep my eyes open so I gave up and put my paper away and settled down to ponder with my eyes closed. I thought of the first time I had been photographed by Lindsay, wearing a white tuxedo and holding a brain in one hand and a heart in the other. I thought of other Essex connections - the time I travelled to Chelmsford to see David Gower's last first class innings and he held my umbrella while I scrabbled about in my bag for his autobiography which he agreed to sign. The town of Coggeshall to where a girlfriend, Oonagh Clapham, went to live and work after my short relationship with her when we both worked at Chichester Festival Theatre together in the summer of 1973 - I loved her and wrote to her a number of times, hoping that she felt the same but she didn't. We met in London some years later and I took her to see a play and I think we may have had dinner together but nothing had changed except that she wore make up and had had her hair styled, neither of which she would have done in the free and easy days at  Chichester. I never saw her again. 

I caught the connection to Hythe where Lindsay was waiting for me. She didn't look any different to my memory of her. Blond hair and friendly smile but there was something else. Confidence. Yes, that was it. When she photographed me the first time in 2010, she rather played second fiddle to her friend,  James Reynard who was also photographing me that day  and she deferred to him for advice now and then but this time, she was assured and certain of what she wanted. She has her own studio in Hythe and we walked there together in the sunshine and chatted and reminisced all the while.

Her original idea for the shoot was me having eggs broken on my head and feathers raining down but there were no eggs. I cannot remember why but we did the feathers anyway which was good fun and, when it was over, we swept them all up and shook the remaining feathers off the floor covering through the door which opened out on to the River Colne below. The next idea was centred around the concept of Fragility and for this Lindsay wanted me to be tied up in bubble wrap and so I took everything off except my pants and Lindsay did the wrapping and then asked me to pop down onto a chair and pop I did. 

That was it but Lindsay had either had another thought previously or decided on the spur of the moment to use a fur collar and she asked me to strip off and put it on my head. It felt and looked daft and so I played daft and we shot those as well and those were the images I was drawn to when Lindsay sent a selection through a short while later. And the confidence shines through all these images as well as her passion for Photography. Lindsay is a lovely person to spend an afternoon with - the feathers, bubble wrap and furry thing on my head were bonuses.

If there is one thing I am going to miss it is enjoyment of shooting in a studio locked away from everyone and going for it like Lindsay and I did here. Ho hum.

Commercial photography:
Family Photography: 
Wedding photography:
Female portraiture:
Studio for rent: 
Lindsay's Blog:

No comments:

Post a Comment